Wednesday, February 08, 2006
Tuesday, February 07, 2006
Monday, February 06, 2006
Grunt-grunt grunt? (Translation - Can you hear me now?)
Nelson Yrizarry presents several new scenes.
He expands a previous vig into a series on Ogg the Caveman, including Shellular Phone.
He takes another previous vig further with Urbania, including Urbania 1 - Shop.
Finally he adds Corporate Exec-utioner.
He expands a previous vig into a series on Ogg the Caveman, including Shellular Phone.
He takes another previous vig further with Urbania, including Urbania 1 - Shop.
Finally he adds Corporate Exec-utioner.
All the words of my mouth are just
Izzo has wrapped up his series of 44 Japanese proverbs in an 8x8 format. They can also be found in his Brickshelf galleries and translated on Dunechaser's Pan Pacific Bricks. We'll finish our series of highlights with five from the last two sets:
The pestle handle I took hold of in the past (Skills you learn as a young man don't wane as you grow older)
A sword returns to its sheath (To kiss and make up)
Carelessness is the greatest enemy (Danger comes when you least expect it)
The seed of pleasure is pain; the seed of pain is pleasure (No pain, no gain)
Fortune enters by a merry gate
P.S. Bonus points to whoever can figure out the significance of the title for this post.
The pestle handle I took hold of in the past (Skills you learn as a young man don't wane as you grow older)
A sword returns to its sheath (To kiss and make up)
Carelessness is the greatest enemy (Danger comes when you least expect it)
The seed of pleasure is pain; the seed of pain is pleasure (No pain, no gain)
Fortune enters by a merry gate
P.S. Bonus points to whoever can figure out the significance of the title for this post.
Friday, February 03, 2006
Thursday, February 02, 2006
Goodbye and hello, Jake
It has nothing to do with vignettes, but, hey, it's my blog. Jake McKee is stepping down. For the past few years Jake has been one of the most public faces of LEGO to the AFOL community, serving as Global Community Relations Specialist for the LEGO Group. He's been instrumental in building many connections between the company and the community. Now he'll be on our side of that fence, as he will continue in the hobby even though now he won't get a company discount on buying LEGO.
You'll be missed, LEGO employee Jake. Good luck in your new career path. Welcome to the community, AFOL Jake. Now go build us a cool train vig! :)
You'll be missed, LEGO employee Jake. Good luck in your new career path. Welcome to the community, AFOL Jake. Now go build us a cool train vig! :)
Tuesday, January 31, 2006
Brick Journal issue 3
A new issue of Brick Journal was just released and is featured on Bricks in my Pocket. Brick Journal is a magazine all about the LEGO hobby edited by Joe Meno and with articles by various AFOLs (I wrote one on minifigs in a previous issue). This issue features an article on vignettes at BrickFest written by Janey Cook on pages 92-93, as well as lots of other great articles on various aspects of AFOLdom. This issue focuses on the various AFOL fests from last year. Okay, stop reading this blog and go to Bricks in my Pocket to download your copy. (Warning, I found that I had to update my version of Adobe Acrobat Reader to be able to read the file.)
Update - It's now in wide release.
Update - It's now in wide release.
Monday, January 30, 2006
A peek behind the curtain
Recently Izzo has posted several great vignettes based on Japanese proverbs that he has posted in his Brickshelf gallery and on his website. Dunechaser has done a great service to English-speaking AFOLs by providing translations on Pan-Pacific Bricks. I've posted on these vignettes three times now, and probably will again in the future as he is already continuing his series. In a response to one of my blog entries, Izzo asked why I chose the ones I did. This is a great question, and I figured I'd answer it here rather than in the comment boxes, as this gives a further chapter in my thoughts on what makes a good vignette and why I choose to feature any particular vignettes in this blog.
First off, notice that Izzo's creations are all beautifully photographed. No blur, great lighting, neutral backgrounds, interesting camera angles, image sizes large enough to show all details but not over-large. It probably goes without saying that good presentation is the first thing in getting any LEGO creation noticed.
More specifically, looking at vignettes, I personally prefer creations featuring minifigs. Not that there aren't many great creations that either do not feature people at all or are at different scales - for instance, in Izzo's case, he has a hilarious Bart Simpson sculpture, a beautiful crane and a very poetic turtle scene - however this is just my personal preference.
As I've said before, vignettes are the haiku of LEGO building. By imposing fairly rigid constraints, these "slice of life" creations force the builder to distill a scene down to its very essence (and, like haiku, they first came to us from Japan). In my previous posting on what makes a good vignette, I mentioned four things I look for in the best vigs - use of space, action, storytelling, and humor. Thinking further on this, I suppose instead of "humor" I should have said "emotional impact," as some vignettes invoke feelings of sentimentality, sadness, or a simple sense of tranquility.
To see better how these qualities are put into action, first consider four of Izzo's vignettes -
"Candle in the wind (To have one's life hang by a thread)", "If you're in love, travelling a thousand miles seems like only one mile.", "Strategem 36: If all else fails, run away", and "To gain one of your nine lives back".
Use of space Both "candle" and "nine lives" use the vertical dimension very well. In the first the low angle of photography makes the fig's placement at the edge of the cliff seem very precarious and in the second placing figs on three levels gives a great impression of a construction site. Both "love" and "run away" do something different; by showing us parts of much larger objects (the subway train and the dragon), they allow our brains to fill in the much larger world around this little 8x8 plot.
Action None of these creations seems static. Each is like a photograph in that it captures an instantaneous moment in time - just as the beam is falling in "nine lives", or just as a wave crashes against the cliff in "candle".
Storytelling Even before Dunechaser provided the translations, the story in each of these scenes is clear. "Candle", for instance, is like a scene out of an old Saturday matinee, with our hero trapped by the evil villain. He looks over his shoulder to see if he can escape that way, but right then a wave crashes against the rocks below. How will he escape? Come back next week to see. In "love" you can tell that the man has been waiting on the platform for his loved one to arrive. She sees him from the window, and as the train stops she jumps off and into his arms. What really makes this scene for me, though, is the way the other figs have turned to see, smiling at this display of young love.
Emotion Again, each of these scenes is full of emotion. In "nine lives" it's that mixture of fear and relief we've all felt in the wake of an accident narrowly avoided. In "run away" it might be fear, but for any Monty Python fan it's probably more likely a hearty laugh. The tension is thick in "candle", and "love" evokes, well, love.
Most vignettes fit in the "slice of life" category and I would judge them by the criteria above. Some, though, are more abstract, trying to illustrate an idea in an artistic way. Unless you enter the tiger's den, you can't steal her cubs and The nail which sticks out gets hammered down are two of these.
For this type of vignette I look to how well the scene conveys the idea and the artistic merits. I have to admit that "tiger's den" probably doesn't succeed as well, but the sculpt of the tiger's head was so great I wanted to include it. On the other hand, "nail" succeeds beautifully. Putting the conformist figs in all white reminds me of a science fiction movie like THX 1138, and contrasting with the brightly colored nonconformist is very effective. It's also especially apt that the conformist figs are all faceless, in contrast with the red fig. This really illustrates well the feeling we've all had from time to time.
Anyway, I hope that gives some further insight into what sorts of things can make a great vignette. What do you think? I'd be interested to get others' views on this form of building.
First off, notice that Izzo's creations are all beautifully photographed. No blur, great lighting, neutral backgrounds, interesting camera angles, image sizes large enough to show all details but not over-large. It probably goes without saying that good presentation is the first thing in getting any LEGO creation noticed.
More specifically, looking at vignettes, I personally prefer creations featuring minifigs. Not that there aren't many great creations that either do not feature people at all or are at different scales - for instance, in Izzo's case, he has a hilarious Bart Simpson sculpture, a beautiful crane and a very poetic turtle scene - however this is just my personal preference.
As I've said before, vignettes are the haiku of LEGO building. By imposing fairly rigid constraints, these "slice of life" creations force the builder to distill a scene down to its very essence (and, like haiku, they first came to us from Japan). In my previous posting on what makes a good vignette, I mentioned four things I look for in the best vigs - use of space, action, storytelling, and humor. Thinking further on this, I suppose instead of "humor" I should have said "emotional impact," as some vignettes invoke feelings of sentimentality, sadness, or a simple sense of tranquility.
To see better how these qualities are put into action, first consider four of Izzo's vignettes -
"Candle in the wind (To have one's life hang by a thread)", "If you're in love, travelling a thousand miles seems like only one mile.", "Strategem 36: If all else fails, run away", and "To gain one of your nine lives back".
Use of space Both "candle" and "nine lives" use the vertical dimension very well. In the first the low angle of photography makes the fig's placement at the edge of the cliff seem very precarious and in the second placing figs on three levels gives a great impression of a construction site. Both "love" and "run away" do something different; by showing us parts of much larger objects (the subway train and the dragon), they allow our brains to fill in the much larger world around this little 8x8 plot.
Action None of these creations seems static. Each is like a photograph in that it captures an instantaneous moment in time - just as the beam is falling in "nine lives", or just as a wave crashes against the cliff in "candle".
Storytelling Even before Dunechaser provided the translations, the story in each of these scenes is clear. "Candle", for instance, is like a scene out of an old Saturday matinee, with our hero trapped by the evil villain. He looks over his shoulder to see if he can escape that way, but right then a wave crashes against the rocks below. How will he escape? Come back next week to see. In "love" you can tell that the man has been waiting on the platform for his loved one to arrive. She sees him from the window, and as the train stops she jumps off and into his arms. What really makes this scene for me, though, is the way the other figs have turned to see, smiling at this display of young love.
Emotion Again, each of these scenes is full of emotion. In "nine lives" it's that mixture of fear and relief we've all felt in the wake of an accident narrowly avoided. In "run away" it might be fear, but for any Monty Python fan it's probably more likely a hearty laugh. The tension is thick in "candle", and "love" evokes, well, love.
Most vignettes fit in the "slice of life" category and I would judge them by the criteria above. Some, though, are more abstract, trying to illustrate an idea in an artistic way. Unless you enter the tiger's den, you can't steal her cubs and The nail which sticks out gets hammered down are two of these.
For this type of vignette I look to how well the scene conveys the idea and the artistic merits. I have to admit that "tiger's den" probably doesn't succeed as well, but the sculpt of the tiger's head was so great I wanted to include it. On the other hand, "nail" succeeds beautifully. Putting the conformist figs in all white reminds me of a science fiction movie like THX 1138, and contrasting with the brightly colored nonconformist is very effective. It's also especially apt that the conformist figs are all faceless, in contrast with the red fig. This really illustrates well the feeling we've all had from time to time.
Anyway, I hope that gives some further insight into what sorts of things can make a great vignette. What do you think? I'd be interested to get others' views on this form of building.
Sunday, January 29, 2006
More heroic creations
Entries continue to come in for the Classic-Castle heroes and villains contest, including Darkie's Northmen and Josh Wedin's Persian hero.
Friday, January 27, 2006
New vig builder
It appears that Richard McCarthy has joined the ranks of the vig-builders, with a series of vignettes including Behind the scenes of Star Wars and Fishing Trip.
Izzo in translation
Andrew comes through again with translations of Izzo's Japanese proverb vignettes. Thanks, man. And thank you to Izzo, as well, for sharing these. The one's I featured the other day are, respectively Candle in the wind (To have one's life hang by a thread) and If you're in love, travelling a thousand miles seems like only one mile. For more of Izzo's creations, check out his website.
Wednesday, January 25, 2006
All we need is life beyond Thunderdome
We're starting to see more entries for the CC heroes and villains contest.
Maedhros has Sir Vincent stalked by Véronique d'Orléans. Great use of flesh tones for the vampires.
K-caster has the gate between Mt. Olympus and Erebus, with each side attended by the appropriate deity.
And Scnicker has the savior of light against a fearsome demon.
Maedhros has Sir Vincent stalked by Véronique d'Orléans. Great use of flesh tones for the vampires.
K-caster has the gate between Mt. Olympus and Erebus, with each side attended by the appropriate deity.
And Scnicker has the savior of light against a fearsome demon.
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